Also available online. Brule's brilliant evocation of how women lived in ancient Greece describes every aspect of their lives, including their religious, familial and domestic duties, their economic importance, and their social, moral and legal status as wives, cohabitees or slaves.

A Companion to Women in the Ancient World is the first interdisciplinary, methodologically based collection of readings to address the study of women in the ancient world while weaving textual, visual, and archaeological evidence into its approach.

Expanded and updated for this English-language translation, Pandora's Daughters offers the first history of women in ancient Greece and Rome to be written from a legal perspective. Moving outward from an examination of the legal evidence--the laws governing marriage and divorce, sexual behavior, and inheritance--Cantarella demonstrates how literary, anecdotal, and juridical sources can and cannot be used to discover what Greek and Roman men thought about women.

Also available online. Click link to access.

Llewellyn-Jones' work proceeds from literary and, notably, from iconographic evidence. In sculpture and vase painting it demonstrates the presence of the veil, often covering the head, but also more unobtrusively folded back onto the shoulders. From Greek literary sources, the author shows that full veiling of the head and face was commonplace. He analyses the elaborate Greek vocabulary for veiling and explores what the veil meant to achieve.

Richly illustrated with 100 images, A Cultural History of Dress and Fashion in Antiquity presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.

See Chapter 3: Crete, Mycenae, and Greece.

Essays discussing Aegean Bronze Age fashions, costume design in filmed biblical epics, clothing in Aristophanic comedy, Greek and Roman female undergarments, the symbolism of the Roman toga, and the spectacle of images of Byzantine dress, are just some of the diverse subjects covered in this study.

This volume presents nearly 200 of the finest surviving pieces made between the fifth and the early third century B.C., the era that also saw the creation of the Parthenon at Athens and the temple of Artemis at Ephesus, the sculptures of Polykleitos, Praxiteles, and Lysippus, and the paintings of Polygnotos, Apollodoros, Zeuxis, and Nikias."

Discusses jewelry from the Early Bronze Age to the Late Roman era – a period of over 3000 years – in a detailed account of its development in the Minoan, Mycenaean, Greek, Etruscan and roman civilizations.