An exploration of Francophone African literary imaginations and expressions through the lens of Afrofuturism

In The Dreamer and the Dream: Afrofuturism and Black Religious Thought, Roger A. Sneed illuminates the interplay of Black religious thought with science fiction narratives to present a bold case for Afrofuturism as an important channel for Black spirituality.

Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.

Afrofuturism- A History of Black Futures explores the evolving and exhilarating concept of Afrofuturism, a lens used to imagine a more empowering future for the Black community through music, art, and speculative fiction.

Sun Ra's Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city--and that by excavating the postwar black experience of Sun Ra's South Side milieu, we can come to see the possibilities of urban life in new ways.

Black artists of the avant-garde have always defined the future. Blackspace: On the Poetics of an Afrofuture is the culmination of six years of multidisciplinary research by trans poet and curator Anaïs Duplan about the aesthetic strategies used by experimental artists of color since the 1960s to pursue liberatory possibility.

In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture.

In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds--the intertwinement of the mental and the physical--in the context of race, gender, and (dis)ability.